Two poles intersect in the choice of these artists and theses spaces. These poles consist in the grounding/relationship of theses artists and their preoccupations with these spaces, to the emotive,imaginative and question asking orientation of the writer of this work as developed in the course of their lives. The second pole relates to the situatedness of the preoccupations of these artists to particular fields of knowledge,in relation to which their work can act as a focus for/a prism for questions and preoccupations that ramify not only beyond themselves,but which integrate a broad range of questions. The central questions of which are the preoccupations of this project with issues/questions of perception,both visual and cognitive,in relation to the human embodiment and the spatial constitution/construction through which spatial navigation is possible.